Analytical Figure Drawing (Hands, Feet, Head, Composition)
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Perspective For Entertainment Design
Next enrollment deadline April 20th, 2012
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Dynamic Sketching 1
Next enrollment deadline April 24th, 2012
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Dynamic Sketching 2
Next enrollment deadline April 24th, 2012
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Analytical Figure Drawing 1
Next enrollment deadline April 20th, 2012
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Digital Painting 1
Next enrollment deadline April 20th, 2012
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Analytical Figure Drawing (Hands, Feet, Head, Composition)
Next enrollment deadline April 20th, 2012
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Intro to Character and Creature Design
Next enrollment deadline April 20th, 2012
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Character Design for Animation
Next enrollment deadline April 20th, 2012
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Storyboarding for Animation
Next enrollment deadline April 20th, 2012
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Environment Sketching (Sci-Fi)
Next enrollment deadline April 20th, 2012
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Fundamentals for Creative Environment Design
Next enrollment deadline April 20th, 2012
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Environment Design 1
Next enrollment deadline April 19th, 2012
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Environment Design 2
Next enrollment deadline April 19th, 2012
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Vehicle & Mechs 1
Next enrollment deadline April 20th, 2012
This class is now filled to capacity. If you have any questions, please email us at registration@cgmwonline.com
-CGMA "Become a Better Artist"
Michael Hampton has been teaching classes related to the figure for close to ten years, focusing on teaching anatomy and figure drawing in a way that is specifically tailored to students entering the fields of animation, illustration, and game art.
Master class
Analytical Figure Drawing (Hands, Feet, Head, Composition)
- Dates:
- April 21st - June 17th, 2012 + 1 extra week for content review.
- Fees:
- $699
- Pre-reqs:
- Analytical Figure Drawing 1 or a good command of form, perspective, and anatomy.
- Materials:
- Homework can be done in any medium — pencil and paper/ or on tablet.
- Course Description:
This is the second Analytical Figure Drawing class offered through CGMA. As such, this course builds on the skills and information covered in the initial course, however challenges students to push those skills through the introduction of additional subject matter. In addition to covering parts not addressed in the first course (hand, feet, features, and drapery) this course will answer the basic question of "what to do with the figure?" This question will be put to the student through lectures on the execution/ use of tone and composition specifically.
- Course Outline
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Click to view
- Week 1: Lecture: Introduction of teacher/ Goals of class/ Review. Lecture will be on the use and understanding of drapery.
Homework: 25 drapery studies. (Ea. Set of 5 should be done from a different historical period or culture). Choose 5 of your best gestures to submit for critique and instructor feedback. Drawings may be scanned in and submitted or submitted as digital files done in photoshop. You may also upload one or more for student feedback on the class blog. - Week 2: Lecture: Anatomy and Construction of the Hands.
Homework: 25 Hand drawings. Drawings should follow in class process. Choose 2 of your best to submit for critique and instructor feedback. - Week 3: Lecture: Anatomy and Construction of the Feet.
Homework: 25 Feet constructions. Choose 2 of your best to submit for critique and instructor feedback. - Week 4: Lecture: Development of the features and overview of the neck and facial anatomy.
Homework: 20 Head studies including the anatomy of the face and neck as well as the features. - Week 5: Lecture: Intro to Lighting / Adding light and shadow to the face.
Homework: 25 tonal studies focusing on the face. - Week 6: Lecture: Lighting the Figure.
Homework: 25 Figure studies with light and shadow. - Week 7: Lecture: Composition 1 — Structuring the image. Homework: 25 Composition breakdowns looking at Old Masters.
- Week 8: Lecture: Composition 2.
Homework: 25 Original arrangements.
- Week 1: Lecture: Introduction of teacher/ Goals of class/ Review. Lecture will be on the use and understanding of drapery.